^^^this.....I do bareshaft through paper personally. I wanna see what the arrow is doing right off the rest, about 2-3 yards of clearing the rest. I'll tune that in bare and then from there its just broadhead tuning. I can be pretty well tuned in about an hour with nock height, cam timing, centershot and a bareshaft through paper followed by shooting my broadheads.
I do bareshaft through paper personally. I wanna see what the arrow is doing right off the rest, about 2-3 yards of clearing the rest. I'll tune that in bare and then from there its just broadhead tuning. I can be pretty well tuned in about an hour with nock height, cam timing, centershot and a bareshaft through paper followed by shooting my broadheads.
Do you find you need to adjust when you move to broadheads?
My method is get fletched clean through paper, and then I shoot bar shafts with fletched out to 60, adjusting to bring the groups together.
Sometimes after that it gets me a clean bare shafts tear, other times there's a little angle.
When getting bare shafts with fletched out to 30 yards, I haven't had to make any adjustments when broadheads are added.
Based on looking at lots of tears in pics like this one over the years, I think your idea is a really good one. Just too many that showed tears that were sub-optimal but that the posters and other forum members thought were just fine.I'd say you are doing good. Here's a trick I like to do to help with identifying what the arrow is doing through paper. I apply lipstick to the vane edges and point of the arrow. When it goes through the paper it makes it a lot easier to tell what the arrow is doing and how to make corrections.