GSPHUNTER
WKR
- Joined
- Jun 30, 2020
- Messages
- 4,688
How do you make that work on a movie set where you are going to point a gun at someone and pull the trigger to film a gunfight? Answer, you don't, a gun on a film set as a prop is treated differently.
Quick point, a movie doesn't have "a producer." A movie has all kinda of producers. EPs are typically people who funded it, gave some consideration (paid for ads, let you use their farm, an actor or director who reduced their fee for a small budget film). The line producer is the one that handles day to day and hiring/firing. There's also production staff who handle day to day and have power. Baldwin was not it in charge of anything, as much as people really want to see him at fault. It's like blaming James Hetfield if someone gets hurt by pyrotechnics as a Metallica show.
Next up, read any of the discussions with propmaster (actual propmasters) and there's a common theme. No set armorer is having the actor check the gun. Some might allow or require an actor to be part of the check, but the person responsible for checking equipment is the armorer and typically the AD. I was reading a writeup from an IATSE armorer who mentioned that he would take a gun back and recheck it I'd an actor decided to open the cylinder/slide/remove a magazine without being told to, same as a rigger would recheck rigging if an actor started messing with it and a technician would recheck pyrotechnics if an actor decided to check the fuse. That's because the actor is not trained to handle it, doesn't know what power blank is being loaded (if any) until they're told by the armorer.
If I go rappelling I'm responsible for checking my my own gear, but on a film set that goes to the AD, the stunt coordinator and the riggers. I am responsible for my own car, but on a film set the actors aren't checking the brakes and oil on the car, that's the stunt coordinator's job. Same principle applies throughout, because when you start doing something that is more dangerous than driving to work or shooting on a one-way range, you have to observe a different set of safety protocols.
Alex Baldwin, I promise you, doesn't know the difference between a film dummy (inert primer, no powder), a blank, and a live round. Requiring every actor to check a prop gun would result in more NDs from people not super familiar with their operation.
So, listen to what the expert armorers from IATSE are saying. The fault lies with the AD, the armorer, maybe the director and the line producer as well for allowing the set to operate in an unsafe manner. The people who's job it was to ensure things were operating safely didn't do that, but if I pick my car up from the mechanic and it turns out the brake rotors weren't reinstalled, it's not going to be my fault when I rear-end someone, it's gonna be the mechanic who was paid to service my brakes.
How do you make that work on a movie set where you are going to point a gun at someone and pull the trigger to film a gunfight? Answer, you don't, a gun on a film set as a prop is treated differently.
Quick point, a movie doesn't have "a producer." A movie has all kinda of producers. EPs are typically people who funded it, gave some consideration (paid for ads, let you use their farm, an actor or director who reduced their fee for a small budget film). The line producer is the one that handles day to day and hiring/firing. There's also production staff who handle day to day and have power. Baldwin was not it in charge of anything, as much as people really want to see him at fault. It's like blaming James Hetfield if someone gets hurt by pyrotechnics as a Metallica show.
Next up, read any of the discussions with propmaster (actual propmasters) and there's a common theme. No set armorer is having the actor check the gun. Some might allow or require an actor to be part of the check, but the person responsible for checking equipment is the armorer and typically the AD. I was reading a writeup from an IATSE armorer who mentioned that he would take a gun back and recheck it I'd an actor decided to open the cylinder/slide/remove a magazine without being told to, same as a rigger would recheck rigging if an actor started messing with it and a technician would recheck pyrotechnics if an actor decided to check the fuse. That's because the actor is not trained to handle it, doesn't know what power blank is being loaded (if any) until they're told by the armorer.
If I go rappelling I'm responsible for checking my my own gear, but on a film set that goes to the AD, the stunt coordinator and the riggers. I am responsible for my own car, but on a film set the actors aren't checking the brakes and oil on the car, that's the stunt coordinator's job. Same principle applies throughout, because when you start doing something that is more dangerous than driving to work or shooting on a one-way range, you have to observe a different set of safety protocols.
Alex Baldwin, I promise you, doesn't know the difference between a film dummy (inert primer, no powder), a blank, and a live round. Requiring every actor to check a prop gun would result in more NDs from people not super familiar with their operation.
So, listen to what the expert armorers from IATSE are saying. The fault lies with the AD, the armorer, maybe the director and the line producer as well for allowing the set to operate in an unsafe manner. The people who's job it was to ensure things were operating safely didn't do that, but if I pick my car up from the mechanic and it turns out the brake rotors weren't reinstalled, it's not going to be my fault when I rear-end someone, it's gonna be the mechanic who was paid to service my brakes.
Ya that was reported two days ago, best wait and see what investigation comes up with. So far this thread is turning into, not my fault, TODDI.I heard on the news tonight that cast members were target shooting with these pistols just for fun.
What the hell!